“My paintings are not about what is seen. 　　They are about what is known forever in the mind.” 　　– Agnes Martin 　　“'‘I’m very careful not to have ideas, because they’re inaccurate,’ the artist Agnes Martin says in Mary Lance’s touching documentary about her, but it’s a lie. Ms. Martin was full of ideas, and she dispenses them engagingly in the course of the film… She talks about her early childhood on the plains of Saskatchewan. And by the end of the film, Ms. Lance has gently led you to connect that comment with Ms. Martin’s signature style of work: broad horizontal bands of subtle hues Her remembrances of her years in New York and New Mexico are lovely to hear, as are her bits of philosophy.” 　　– Neil Genzlinger, The New York Times

“My paintings are not about what is seen. 　　They are about what is known forever in the mind.” 　　– Agnes Martin 　　“'‘I’m very careful not to have ideas, because they’re inaccurate,’ the artist Agnes Martin says in Mary Lance’s touching documentary about her, but it’s a lie. Ms. Martin was full of ideas, and she dispenses them engagingly in the course of the film… She talks about her early childhood on the plains of Saskatchewan. And by the end of the film, Ms. Lance has gently led you to connect that comment with Ms. Martin’s signature style of work: broad horizontal bands of subtle hues Her remembrances of her years in New York and New Mexico are lovely to hear, as are her bits of philosophy.” 　　– Neil Genzlinger, The New York Times

Documentary about creating a watery setting, sets and locations, costumes and production design, and general aspects of the film. A run-through of the production process from start to finish including the initial development, building the sets, costume design, CGI, and more.

When Ingeborg Bachmann and Max Frisch meet for the first time in Paris in the summer of 1958, they are already international celebrities of the literary world. In the four years that follow, they dabble in great love and an open relationship between his hometown of Zurich and her adopted Rome.

A short film directed by Benny Safdie, with cinematography by Josh Safdie and produced under the Red Bucket Films collective.

Aspiring actors take a workshop to learn to act with live sharks but bite off more than they can chew when the instructor turns out to be crazy.

A man who is suffering a mid-life crisis finds new meaning in his life as part of an all-male, middle-aged, amateur synchronised swimming team.

Examine the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, the tragedy of the Essex, and the career of Moby Dick's Herman Melville, and on to its demise in the decades following the American Civil War.